Augustus Owsley Stanley III, RIP

Don’t tell the kids, but… Long ago, in a spiritual land far, far away, we knew Owsley.  Not personally, but in an intangible way, in the fields of Golden Gate park, at the Monterey Pops festival, Owsley was a part of our lives. Owsley was part of the lives of countless teenagers and young adults who are now beginning to collect Social Security checks.

Heads Bowed in Grateful Memory

By SETH SCHIESEL, Published: March 16, 2011

There is a bit of Owsley in me.

Photo Illustration by The New York Times; Photograph from San Francisco Chronicle, via Associated Press.

Augustus Owsley Stanley III, better known as Owsley, in 1967. He died Sunday in a car accident in Australia.

The Grateful Dead and Owsley’s “Wall of Sound” at a 1974 sound check in Vancouver, B.C.

You see, my father, a strait-laced middle-class Jewish kid from Los Angeles, enrolled at the University of California, Berkeley, in 1964.

That same year, in that same town, a brilliant renegade named Augustus Owsley Stanley III spent three weeks in the university library’s organic chemistry stacks learning the secrets of synthesizing lysergic acid diethylamide, also known as LSD. Before long, Owsley was creating mass quantities of the purest acid the world had ever known, just in time for the seismic cultural and generational transformation of the era. By the time my father graduated from Berkeley in 1969 with degrees in sociology and economics, the world had changed and my dad along with it.

My very existence is a direct product of that moment, when old cultural systems gave way, for better or for worse. I was born just a few years later after my father, by then a politically active hippie, moved to New York and married a young working-class black woman from Bridgeport, Conn.

It should almost go without saying that such a story would have been quite literally unthinkable before the social upheaval of that time engulfed America. And Owsley connected some of the dots.

Owsley Stanley died last weekend in a car crash in Australia, where he lived. It was Owsley who made Ken Kesey’s parties the Acid Tests. It was Owsley who made 300,000 hits for the Human Be-In. It was Owsley who gave acid to Jimi HendrixPete Townshend and Brian Jones (among many others) at the legendary Monterey Pop Festival of 1967. It was Owsley who agreed to deliver a lifetime supply of LSD to John Lennon. And certainly not least, it was Owsley who originally financed, inspired, amplified and dosed the great American rock band, the Grateful Dead (more about that in a bit).

On Tuesday evening my father, Jonathan, sent me an e-mail about Owsley and what it was like to be present at the epicenter of a cultural revolution.

“Owsley Stanley,” my dad wrote. “Didn’t know his first name was Owsley. Just knew that the first few hits of acid were called Owsley. Went with friends to the Fillmore West to see Janis Joplin and the Holding Company, or so I was told. They laughed when I told them that I didn’t know who she was. Had just started U.C. Berkeley and had taken an Alternative Course in creative writing and another course on Gandhi. Dropped the Acid and well what is time and space anyway. The second hit of Owsley was back in Santa Monica where I walked a stairway to the clouds above, or was in the process of doing that when gentle hands pulled me back from the cliff. Rainbow Bubbles streaming across the room from the sounds of the Grateful Dead.”

There was certainly a dark side to the 1960s drug culture. But many people, including my father, considered LSD positively transforming.

“Before Acid, my neck was so strong from carrying the concrete and bars that made up my skull and with the drug coursing through me the concrete chipped off and WOW, I could see and hear and feel so much. Just a reflection of pre-acid American culture chipping off; one chip for repression, another chip for anxiety, another chip for ignorance, another chip floating away carrying my image of short hair, plaid shorts, tennis shoes and high ankle socks. What remains is the sculpture revealed, the New Age of liberation and caring so deeply that it was impossible to remain hidden in classrooms of agonizing dogma. Take to the streets. Let Love be heard. Let Love be seen. Let Love be felt.”

Given the family history, it may seem a surprise that I actually didn’t learn about Owsley, LSD and the Grateful Dead from my father, or even while I was growing up in Woodstock, N.Y., the renowned hippie town.

For that I had to wait until I met the other kids at one of the nation’s most exclusive elite boarding schools, Phillips Academy in Andover, Mass.

By the time I showed up as a 14-year-old in 1987, Andover, as the school is known, had been a Grateful Dead hotbed for at least a decade. Not coincidentally, LSD was readily available on campus.

When I got there I was a serious Led Zeppelin fan, but of course by then you couldn’t actually go see Led Zeppelin anymore. The Grateful Dead, on the other hand, was this mythic creature that was actually alive and more popular than ever. (In 1987 the Dead released the popular album “In The Dark” and the band’s biggest hit single, “Touch of Grey.”)

That fall one of my 10th-grade classmates, Liza Ryan, received a new teddy bear from her father. She named it Owsley. (Owsley’s nickname, known wide and far, was Bear.) Before long she and I and many of our schoolmates were on our way to becoming the last, final generation of true Deadheads.

Soon I learned about how Owsley designed some of the first modern rock amplification systems for the Grateful Dead, culminating in the over-the-top (literally) “Wall of Sound” in 1974. As I started collecting tapes of Dead performances, I learned about how Owsley was probably the first sound engineer in the world regularly to record and archive every performance by a band straight from the soundboard. (Rolling Stones fans wish they had had one of those in the early days.) Naturally, the first Dead album I ever bought is known as “Bear’s Choice.”

“I think growing up in the early 1980s it was kind of a dark time, and it felt like minds were contracting rather than expanding,” Liza said on the phone from the Bay Area on Tuesday, speaking eloquently for our cohort. “Everyone was worried about nuclear war and the arms race and the Cold War and that movie ‘The Day After’ about a nuclear holocaust. It was a scary time. And it seemed like the ’60s were a time when people were embracing civil rights and crossing social boundaries and of course the music was great. So I guess I was trying to connect with aspects of the ’60s that seemed to have been lost.

“I called my teddy bear Owsley because he always seemed to be this fascinating character, this magician in the corner making everything happen, not just with the acid and the sound systems but in pushing the band out to different audiences.”

I attended my second Grateful Dead concert, on July 9, 1989, at Giants Stadium, in the company of a famous New York City acid dealer named Mountain. I was 16. Mountain, who was probably in his 50s, told me that he had known Owsley back in the day, and that he was one of the most extraordinary people on the planet. I believed him.

By the end of that show I was on the bus, as they say. And by the time Jerry Garcia died in 1995, when I was 22, I had seen the Dead more than 90 times.

So there is a bit of Owsley in me. And if modern popular music means anything to you, there is a bit of Owsley in you too.

A version of this article appeared in print on March 17, 2011, on page C1 of the New York edition.

About carlos

I'm a curious person, of reasonable intellect, "on the beach" (retired) and enjoying my interest in anthropology, language, civil rights, and a few other areas. I've been a hippie/student/aerospace tech writer in the '60s, a witness to the Portuguese revolution in the ‘70s, a defense test engineer and witness to the Guatemalan genocide in the '80s, and a network engineer for an ISP in the '90s. Now I’m a student and commentator until my time is up. I've spent time under the spell of the Mesoamerican pyramids and the sweet sound of the Portuguese language. I've lived in Europe, traveled in Brazil, Central America, Iceland, New Zealand, and other places. My preferred mode of travel is with a backpack and I eat (almost) anything local. Somehow, many of the countries I have been to have had civil unrest (for which I was not responsible). I'm open to correspond with anyone who might share my liberal, humanist interests. I live in San Buenaventura, California.
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4 Responses to Augustus Owsley Stanley III, RIP

  1. Stephen says:

    Owsley whent to MANY shows selling his jewelry during the (90 show) run your claiming. You definantly ran into him, Short dude with ponytail, always wore leather vest and carried a leather satchel with his jewelry, I was only in grade school then but in recent years me and Owsley had become e-mail cohorts of a sort, he knew of me and up to his recent death we had been talking every 2 days or so. If you would like to hear what he had to say to me about many interesting things contact me.

    • carlos says:

      Sure, I never met him except in spirit. Do you have any proof (email header info for example) that it was Owsley? He was a hero to many people and any info will be appreciated. How did you and Owsley meet up? On a board or ?

  2. Barbara says:

    I too have more than a vague knowledge of Owsley’s products. It was a magical time. A whole lot of people actually caring about one another, instead of how much money they could amass at the expense of others. What a concept…..

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